I hear Video Slave is good as well, but it costs as much as Protools and with PT you get all the other benefits of having your final mixes in a universally deliverable format. When you press play in Logic, it will chase. In Protools, just receive MTC on the correct port and put the machine online. Setup is really simple - in Logic X just to to the sync page and send MTC to the correct port and make sure that the frame rate is the same as the one in Protools. I've got it running on a Macbook Pro and just put Protools in a separate Spaces window off to the right to avoid clutter.ĥ. This is a little trickier on the same machine - not quite as slick as you have to mute the audio in the Proools mixer manually - but still works pretty great. I've got an audio interface on the Protools machine and just route that into my monitor controller - which is great so you can mute the dialogue/fx and just monitor your Logic audio. With 2 machines, you can do it midi over lan, but I prefer good old midi cables. Works great on another computer, although works surprisingly good on the same Mac using IAC buss for midi.ģ. Much easier to keep a Protools session with the whole movie in it and just import individual mixes so you can see how the whole thing plays as a whole, and then delivering the final mixes in Protools is pretty much automatic.Ģ. Benefit - no bogging down Logic with picture, no worrying about synching up the dialogue/fx track from the video, don't need to worry about anything in the Logic sessions except the start time. You can watch the Junkie XL videos but he doesn't go into detail about how he's go it set up (although he mentions that he will in another video).ġ. There's not much to it other than getting the sync working. I find that it's useful to have it go through your main DAW so that you can solo dialog etc without having to go over to PT.ĥ) Video Slave 2 has some good tutorial pages on setting up the sync. No problem with running it on the slave either.ģ) You can send midi over ethernet if you want but you also need digital audio sync which you could also do over ethernet.Ĥ) I believe you can do that with Macs but I'm not sure otherwise you need to use a program like Dante Via or have an interface on the other computer and route it in. Trickier to do on Windows but not a problem either. Used to be needed for printing stems and offload video processing but nowadays that's no longer necessary because of batch offline exporting.Ģ) You can run it on the same computer. 1) Being able to have master session and cue sessions because scoring a feature film where you're having to conform to new edits in a single session would be nearly impossible.
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